The Kalyani Priyadarshan starrer is the kind of incentive superhero origin story that can alter the way such films are made in Malayalam cinema, feels Arjun Menon.
Arjun Menon celebrates his 70th birthday on August 22 by looking at his most memorable films.
Coolie is expected to be an unabashed celebration of the larger-than-life ethos of Rajinikanth, predicts Arjun Menon.
Vijay Sethupathi and Nithya Menen's electrifying performances hold Thalaivan Thalaivii together, notes Arjun Menon.
Fahad Faasil and Vadivelu more than deliver the goods, but the film, as a whole, fails to live up to their startling on-screen partnership, observes Arjun Menon.
Long lost brothers, downtrodden masses, a long forgotten prophecy, and a psychotic drug cartel out for blood, Kingdom plays out with the familiar ethos of umpteen films we have seen. But the execution is slick, notes Arjun Menon.
Saiyaara ends up a bland rehash of old ideas served in an older bottle, notes Arjun Menon.
No author in the Malayalam literary canon has influenced and profoundly changed the way normal people interact with each other than the ever-relevant, eclectic yet elusive body of work left behind by MT Vasudevan Nair, notes Arjun Menon.
Kannappa is a bloated mess of a film that underutilises interesting story ideas, observes Arjun Menon.
Kubera is a well-intentioned addition to Shekar Kammula's cinematic universe that drags on but never loses its prescient quality, notes Arjun Menon.
Narivetta takes its cue from real-life incidents and fictionalises the ordeal through the experiences of a young cop caught in the crossfire between the police and tribals up in arms, notes Arjun Menon.
The Nani starrer is an all-out, larger-than-life upgrade of the HIT series that loses steam in its attempts at stylistic indulgences, notes Arjun Menon.
Thudarum is a masterpiece for adults, a serious yet self-aware piece of cinema that has something for everybody, feels Arjun Menon.
If not for Tamannaah, it would have been an ordeal to sit through this uninspired horror fable, notes Arjun Menon.
Watching Bazooka is like trying to figure out a long drawn-out puzzle that never makes sense, observes Arjun Menon.
L2: Empuraan is an ambitious sequel that is bigger, bolder and timid in equal measure, observes Arjun Menon.
Empuraan promises a world of geo-political intrigue, drug wars and action spectacle all rolled into one, observes Arjun Menon.
Bromance is a fun film that doesn't take itself too seriously, observes Arjun Menon.
Naga Chaitanya and Sai Pallavi's competent performances barely elevate this romantic drama, which prefers patriotic thrills, observes Arjun Menon.
The Mammootty-starrer is a passable procedural, let down by half-baked ideas that don't necessarily come together, observes Arjun Menon.
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